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Why public art matters with Susan Freedman of Public Art Fund

by Framebridge Editorial
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December 02, 2024
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4 min read
Above: Nicholas Galanin, In every language there is Land / En cada lengua hay una Tierra, 2023. Corten steel. Courtesy the artist and Peter Blum Gallery Photo: Nicholas Knight, courtesy Public Art Fund, NY

From Times Square to the Brooklyn Bridge, the non-profit organization Public Art Fund, has made groundbreaking artworks a part of everyday urban life. Even more impressive is how they do it: without compromising the authenticity and voice of the artists they bring to the public spotlight. It’s a hefty mission that has allowed more than 500 artist exhibitions and projects to be experienced throughout New York City and beyond, for nearly 50 years.

But why does the public need art? Is it purely aesthetic or can it serve a purpose? To help all of us better understand the true impact of public art, we spoke with Susan Freedman, president of Public Art Fund.

Photo by Liz Ligon, courtesy of Public Art Fund, NY Featured in image from left: Edra Soto, artist; Susan Freedman, President, Public Art Fund; Melanie Kress, Senior Curator, Public Art Fund

Q. What makes public art different from art we see elsewhere? 

A. Public art is distinct—it exists in shared spaces and meets people in their everyday lives. This requires a different approach than traditional museum or gallery settings and artists often rise to this challenge with bold, innovative ideas that resonate with New York’s vibrant energy. We believe art is for everyone and we want to keep it that way.

Edra Soto, Graft, 2024. Photo: Nicholas Knight, courtesy of Public Art Fund, NY

Q. What effect does art have on the public? 

A. In difficult times, public art connects people from different walks of life and provides moments of joy and wonder. We’re thrilled when our exhibitions spark conversation because it shows people are connecting and we see the impact. Public art encourages us to see familiar spaces in new ways and to explore the intentions behind each piece. It’s this process of discovery that makes it so powerful.

Nina Chanel Abney, San Juan Heal, 2022 Photo: Nicholas Knight, courtesy Lincoln Center for the Performing Arts, The Studio Museum in Harlem, and Public Art Fund, NY

Q. How does a Public Art Fund project come to be? 

A. As a nonprofit, our landmark projects are only possible because of generous supporters who believe in the power of art. Artfully transforming public spaces is a true collaboration: It requires the creativity of the artist, the partnership of the city, the technical skills of Public Art Fund project managers, the curiosity of each visitor who stops and visits the final work – and it begins with our community of supporters.”

“Every single artist we work with has changed my perspective on the world—it’s why I am so committed to Public Art Fund.”

-Susan Freedman, president of Public Art Fund
“Antique Gay Classical Horse Painting (1845)” by Scott Csoke

Framebridge has chosen to collaborate with painter Scott Csoke on this limited edition print, available in 4 distinct frame styles. Proceeds from sales of this artwork will benefit Public Art Fund.

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